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2 Hours of Tech House with Philip Bader up first then Avotre boss Sante playing B2B with Sidney Charles.

About Sidney Charles:
It might have come as a surprise to some that Hamburg’s Sidney Charles topped Resident Advisor’s Top 100 Most Charted Artists of 2013, but it’s an accolade that speaks volumes about both his approach to music and his prolific, consistent output.

Born Sidney Charles Hurricane Vieljans (yes, really), his journey towards the world of house and techno began when he first started DJing hip-hop, soul and funk at the age of 15. Taking his cues from the golden age of turntablism and associated culture in the late ‘80s and early ‘90s, his attentions were led towards other sounds of the era also enjoying their first heyday. His infatuation with those classic 4/4 club sounds is something that lives and breathes vividly in his music today.

It might have come as a surprise to some that Hamburg’s Sidney Charles topped Resident Advisor’s Top 100 Most Charted Artists of 2013, but it’s an accolade that speaks volumes about both his approach to music and his prolific, consistent output.

Born Sidney Charles Hurricane Vieljans (yes, really), his journey towards the world of house and techno began when he first started DJing hip-hop, soul and funk at the age of 15. Taking his cues from the golden age of turntablism and associated culture in the late ‘80s and early ‘90s, his attentions were led towards other sounds of the era also enjoying their first heyday. His infatuation with those classic 4/4 club sounds is something that lives and breathes vividly in his music today. “I see myself mainly connected with the raw house sound” he says of the style he projects with his productions and DJ sets today. “I am highly influenced by the early ‘90s. Jacking beats; heavy kicks; dirty highs. But I also like to experiment a lot to not make people bored of a certain sound.” Whatever shade of house or techno he’s producing, it’s always packed full of hard grooves, raw sounds and a classy simplicity that lets the track do what it’s supposed to do: make your ass wiggle.

About Sante

Berlin’s Santé emerged as part of a wave of new producers with a different cut to their electronic jib around the time that deep house was losing its way somewhat. His productions ooze character, charisma, soul, colour, humour and above all a sense of humanity.

After teaching himself to play the guitar in his early teens, Santé bought himself an Akai MPC-2000 when he was 16 and set the ball rolling for a life entrenched in electronic music. “I was totally into sampling and house” he recalls of those early days of button bashing and experimentation. He left his hometown when he was 21 to immerse himself in the dance music mecca that is Berlin. The plan was to study music at university, but failing the entrance exam meant he had to pursue other endeavours. A studio internship blossomed into a full-time career, with the emerging talent spending six years producing jingles and ad music and nurturing his passion for house music at any opportunity. Nothing was released, however, until one of his demos found its way to Matt ‘Radio Slave’ Edwards. His first ever release came out on Edwards’ acclaimed REKIDS imprint, setting the bar incredibly high and garnering him a lot of high-profile attention in the process.

The next major stepping stone for him was meeting two guys named Ali and Basti - also known as Tiefschwarz. “They were looking for a new engineer and took me to their label Souvenir, where I got the freedom to release my music and have a playground” he explains. This fruitful, intense relationship lasted three years before Santé decided to fly the nest in search of new pastures, his sophisticated sound developing all the while. In recent times, his style has taken on yet more verve, with the warmth of the house he has always known and loved now bolstered by a loose techno rhythm and percussive drive. The sensuality remains, yet with more dance floor urgency. Whether its one of his acclaimed live shows or one of his DJ sets you’re listening to, the infectious energy is always there.

He describes himself both as a party animal and a studio gremlin (“because you need to be both to do music!”), and cites his biggest influences as The Cure, Talking Heads, Aphex Twin and the Detroit techno pioneers and legends. Embracing both the convenience of the present (producing wherever he goes on his MacBook) and the charm of the past (one look at the rented 808 in his studio will attest to that), he is a producer who effortlessly spans the old and new skool in the most uncontrived of ways.

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