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The Doors - Maggie M'Gill
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Born in 1970's "Morrison Hotel", the album comes to make history and comes to violence. Tracks with a more folk blues footprint, guitar riffs with defined harmonics, harmonica, and stereo tracks define the entire contagious aura of Morrison Hotel. The Doors 'experimental remains (in reduced doses), but the essence of this album is the blues magic with a good Rock n' Roll. Who has important paper is the bass and the battery that bases perfectly all the tracks. "Morrison Hotel" is one of the band's most cohesive albums, a well-assembled and well-played album (nothing here extends beyond the album). four and a half minutes), a bunch of songs about life and death in the early '70s. A cohesive work that returned the Doors to stardom. The critics adored the editors of the US magazines just missed cover the band of incense, gold and myrrh. In "Maggie M'Gill" is a monotonous progression in the vein of (but not as interesting as) is a blues with two chords and a riff built with two guitars (one in each ear). In addition, the bass phrase completes the guitars' phrases giving an idea of ??continuity very well conducted. The Morrison Hotel combines the sounds of rock and blues in such a way that it fits in the direction of displacement that The Doors was taking. Jim Morrison's vocal work on the album is from a man who looks older and wiser and is more than willing to shape and create new characters to suit his ever-changing personality. Quite possibly the best sound of Doors album, although not its strongest moment, it engages the listener in a way that alters the way we see the world.
Jim Morrison - vocals
Ray Manzarek - piano, organ
Robbie Krieger - guitar
Lonnie Mack - bass
Ray Neopolitan - bass
John Densmore - drums
Label: Elektra / Warner Music
Release Year: 1970
Category
Rock
Tags
Music
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